Being distinctive in paintings and potteries, he has a regard for showcasing these two artforms abreast. This juxtaposition was intended to enable its onlookers to feel and appreciate the divergence and also coherence in the two dimensions. Having potteries on display as the exhibition’s accentuate, the nature of its three-dimensional form facilitates visual and physical interaction.

Alluding to the Chinese expression of “陶中有画，画中有陶,” one is able to take cognizance remnants of clay-coloured tones within Ong’s paintings; as well as landscape compositions carved in the bounds of the potteries – a unique feature recognizable in his art.