Tung Yue Nang utilises the medium of Chinese ink on rice paper to capture the mystic beauties of cultural landscapes. Capturing the difference in densities of the ink pigment, he passionately depicts the details and characters of architectural elements. This unique style
reected from his artworks brings back nostalgic memories from the olden days and the timeless traits of different cultural places.
| Dimensions | 660 × 660 mm |
|---|---|
| Year | 2002 |
| Medium | Chinese Ink on Rice Paper |
| Categories | Collectors' Market, Paintings |
Under the Holy Roof, Sri Mariamman Temple
| Artist | |
|---|---|
| Dimensions | 660 × 660 mm |
| Year | 2002 |
| Medium | Chinese Ink on Rice Paper |
$8,800.00
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Tung Yue Nang utilises the medium of Chinese ink on rice paper to capture the mystic beauties of cultural landscapes. Capturing the difference in densities of the ink pigment, he passionately depicts the details and characters of architectural elements. This unique style
reected from his artworks brings back nostalgic memories from the olden days and the timeless traits of different cultural places.
| Dimensions | 660 × 660 mm |
|---|---|
| Year | 2002 |
| Medium | Chinese Ink on Rice Paper |
| Categories | Collectors' Market, Paintings |
Singapore
Tung Yue Nang is a Singaporean artist who subscribes to the Chinese philosophy of Tao Te Ching (Dao de jing; 道德经) (“Classic of the Way of Power”) in his art practice. While initially focused on traditional Chinese paintings, Tung subsequently allows elements of Western art to permeate his style. At the age of 15, Tung studied under the artist Shi Xiang Tuo, who taught him Chinese painting, calligraphy, seal carving and engraving. He later learned ceramics and sculpture under Ng Eng Teng. Tung worked in advertising for some years before he became a professional artist. Tung has won many awards for his art. These include commendations (1985, 1987, 1988 and 1990) and a distinction award (1989) in the UOB Painting of the Year, and the Dr Tan Tsze Chor Art…