The 1822 Raffles Town Plan allocated designated areas to the various racial groups such as the Chinese and Indians. Kampong Glam was allocated to the Malays, as well as Muslim immigrants and traders from the Malay Peninsula, Java, Sumatra, Celebes Islands, Riau, India and Southern Arabia based on their prominence, social and economic status.
The second half of the 19th century saw a rapid influx of immigrants from Sumatra and later from other parts of Indonesia and Malaya. But it was the successful and influential Arab traders who left their indelible mark in the area when streets in the area were named after Arabian cities such as Arab Street, Bussorah Street, Muscat Street and Baghdad Street in the early 1910s.
| Dimensions | 915 × 1020 mm |
|---|---|
| Medium | Acrylic on Canvas |
| Year | 1999 |
| Categories | Featured Art, Paintings |
Arab Street’s Timeless Charm: A Glimpse of 1999
| Artist | |
|---|---|
| Dimensions | 915 × 1020 mm |
| Medium | Acrylic on Canvas |
| Year | 1999 |
$10,000.00
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The 1822 Raffles Town Plan allocated designated areas to the various racial groups such as the Chinese and Indians. Kampong Glam was allocated to the Malays, as well as Muslim immigrants and traders from the Malay Peninsula, Java, Sumatra, Celebes Islands, Riau, India and Southern Arabia based on their prominence, social and economic status.
The second half of the 19th century saw a rapid influx of immigrants from Sumatra and later from other parts of Indonesia and Malaya. But it was the successful and influential Arab traders who left their indelible mark in the area when streets in the area were named after Arabian cities such as Arab Street, Bussorah Street, Muscat Street and Baghdad Street in the early 1910s.
| Dimensions | 915 × 1020 mm |
|---|---|
| Medium | Acrylic on Canvas |
| Year | 1999 |
| Categories | Featured Art, Paintings |
Singapore
Raymond Lau Poo Seng, a talented artist from Singapore, faced the challenges of Tourette Syndrome and a humble background. His artistic talent was recognized by his school principal, leading him to pursue art at LaSalle College of the Arts. Despite obstacles, he excelled, winning awards and eventually earning a Fine Arts degree from the University of Tasmania. Raymond's determination prevailed, even through a life-threatening illness. He gained recognition in New York and held successful solo exhibitions. His contributions to the community and dedication to teaching art further highlight his resilience. Raymond's story, marked by triumph over adversity, serves as an inspiring testament to the human spirit.