After independence in 1965, street hawking became prevalent, and poor sanitation and hygiene concerns led the Singapore government to relocate street hawkers to purpose-built facilities which are known today as wet markets cum hawker centres. One of the earliest wet markets to be built was Tiong Bahru Market in 1950. Wet markets have been part of the Singapore culture since pre-independence, growing in prominence thanks to the introduction of public housing in the 1950s.
The "wet" in "wet market" refers to the constantly wet floors due to the melting of ice used to keep food from spoiling, the washing of meat and seafood stalls and the spraying of fresh produce that are common in wet markets.
| Dimensions | 920 × 1225 mm |
|---|---|
| Medium | Acrylic on Canvas |
| Year | 1998 |
| Categories | Featured Art, Paintings |
25th August : My Memories of a Traditional Wet Market
| Artist | |
|---|---|
| Dimensions | 920 × 1225 mm |
| Medium | Acrylic on Canvas |
| Year | 1998 |
$12,000.00
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After independence in 1965, street hawking became prevalent, and poor sanitation and hygiene concerns led the Singapore government to relocate street hawkers to purpose-built facilities which are known today as wet markets cum hawker centres. One of the earliest wet markets to be built was Tiong Bahru Market in 1950. Wet markets have been part of the Singapore culture since pre-independence, growing in prominence thanks to the introduction of public housing in the 1950s.
The "wet" in "wet market" refers to the constantly wet floors due to the melting of ice used to keep food from spoiling, the washing of meat and seafood stalls and the spraying of fresh produce that are common in wet markets.
| Dimensions | 920 × 1225 mm |
|---|---|
| Medium | Acrylic on Canvas |
| Year | 1998 |
| Categories | Featured Art, Paintings |
Singapore
Raymond Lau Poo Seng, a talented artist from Singapore, faced the challenges of Tourette Syndrome and a humble background. His artistic talent was recognized by his school principal, leading him to pursue art at LaSalle College of the Arts. Despite obstacles, he excelled, winning awards and eventually earning a Fine Arts degree from the University of Tasmania. Raymond's determination prevailed, even through a life-threatening illness. He gained recognition in New York and held successful solo exhibitions. His contributions to the community and dedication to teaching art further highlight his resilience. Raymond's story, marked by triumph over adversity, serves as an inspiring testament to the human spirit.
