In his 1822 Master Town Plan, Sir Stamford Raffles allocated the whole area west of the Singapore River for a Chinese settlement known as the Chinese Campong, envisaging that Chinese would form the bulk of future town dwellers. Singapore, the new land of opportunity then, had attracted many Chinese immigrants, who expanded the original boundaries of this economically and culturally vibrant, self-contained town. This self-contained kampong (community settlement) became home to many Chinese immigrants, and a transit point for coolies (unskilled labourers) going to Malaya.

The original kampong was divided into zones for each Chinese community of the same provincial origin and dialect group. The Cantonese occupied Temple Street. The Hokkiens were located in Telok Ayer Street and Hokkien Street, while the Teochews were settled in South Canal Road, Garden Street and Carpenter Street. Different trades were also confined to specific areas, so each street took on its own identity. From delicacies to death-houses, there were businessmen, traders, craftsmen, hawkers and peddlers to provide all of the peoples’ needs.

Dimensions 920 × 1140 mm
Medium Acrylic on Canvas
Year 2021
Categories New In, Paintings

Monochrome Reflections: A Chinatown Tribute

Artist

Dimensions 920 × 1140 mm
Medium Acrylic on Canvas
Year 2021

$7,800.00

In stock

Add to Favourite
Add to Favourite
Shipping and Delivery

*FREE DELIVERY FOR SINGAPORE ORDERS ABOVE $2000 IN A SINGLE RECEIPT.*

Delivery and installation fee is $155 for first piece and $60 (below size of 1800mm and $100 above size of 1800mm) for each subsequent piece within Singapore. Learn more

Be covered by the Gallery 1819 Guarantee when you checkout with Gallery 1819
Secure Checkout
Authenticity Guarantee

In his 1822 Master Town Plan, Sir Stamford Raffles allocated the whole area west of the Singapore River for a Chinese settlement known as the Chinese Campong, envisaging that Chinese would form the bulk of future town dwellers. Singapore, the new land of opportunity then, had attracted many Chinese immigrants, who expanded the original boundaries of this economically and culturally vibrant, self-contained town. This self-contained kampong (community settlement) became home to many Chinese immigrants, and a transit point for coolies (unskilled labourers) going to Malaya.

The original kampong was divided into zones for each Chinese community of the same provincial origin and dialect group. The Cantonese occupied Temple Street. The Hokkiens were located in Telok Ayer Street and Hokkien Street, while the Teochews were settled in South Canal Road, Garden Street and Carpenter Street. Different trades were also confined to specific areas, so each street took on its own identity. From delicacies to death-houses, there were businessmen, traders, craftsmen, hawkers and peddlers to provide all of the peoples’ needs.

Dimensions 920 × 1140 mm
Medium Acrylic on Canvas
Year 2021
Categories New In, Paintings
Raymond Lau Poo Seng
Raymond Lau Poo Seng

Singapore

Raymond Lau Poo Seng, a talented artist from Singapore, faced the challenges of Tourette Syndrome and a humble background. His artistic talent was recognized by his school principal, leading him to pursue art at LaSalle College of the Arts. Despite obstacles, he excelled, winning awards and eventually earning a Fine Arts degree from the University of Tasmania. Raymond's determination prevailed, even through a life-threatening illness. He gained recognition in New York and held successful solo exhibitions. His contributions to the community and dedication to teaching art further highlight his resilience. Raymond's story, marked by triumph over adversity, serves as an inspiring testament to the human spirit.